Telehiro and B-Tele Discussion
Posted: Wed Dec 06, 2023 5:05 pm
I’m starting this thread hoping to maybe consolidate discussion about this in one place, with one focus:
Telehiro and B-Tele.
The other discussions are here:
viewtopic.php?f=1&t=6241&sid=98e8a59e2a ... b30a062da9
And here:
https://www.telemarktalk.com/viewtopic. ... =20#p64180
There is also quite a lot of discussion here:
https://www.backcountrytalk.com/forum/b ... f-telehiro
I am intrigued by this discussion of different techniques but am struggling a bit to zero in on the essence of this B-Tele thing.
If this was presented in the format of a fully-developed, step by step process or plan, such as in a book or video tutorial, it would of course, be much easier to develop understanding.
As it is, it seems a bit like a bunch of us collectively trying to understand what the elephant looks like by reporting to each other what we can feel with our hands!
I really like this conceptualization of the levels of competence: .
Seems like we are somewhere in the middle two tiers (with the top tier generally considered to take 10,000 hours of devotion).
I am not a great skier, but my sense of turning skis is that, in maybe almost all cases, the skis float across the fall line (this would not be true for, say, step turns, snowplow, maybe some others).
If this is true, then maybe the differences in technique would be the dynamics of what happens before and after the fall line, and maybe where the skis are, relative to each other, approaching and crossing the fall line?
So far, my limited understanding of B-Tele is that:
- The last turn is just ending;
- The back ski is heavily weighted (stomping, shown in one of TH’s vids), and the front ski is lightly weighted;
- If there is braking involved, it happens here?;
- The back ski is made flatter to the snow and starts a rotation, and the front ski is lightly ruddered or arced across the snow;
- The skis approach the fall line and start to become equal (front to back);
- The legs are relaxed or retracted (stop resisting gravity / Down-unweighting / pulling legs up, quite upper body);
- Weight is placed on inside ski (new back ski);
- Outside ski is knifed or arced through the turn radius;
- Return to start of list and repeat.
I could have easily left things out of even stated something incorrectly and welcome comments.
One person made the comment that the axis of rotation in Telehiro’s turns is often inside his body (looking down from above). I would say that it is not usually possible to make carved turns when this is true (given that the designed turn radius of the skis is going to put the axis of the carved turn many meters to the inside of the turn, relative to the skier’s body).
This would mean that Telehiro’s B-Tele turns are skidded turns (observation, not judgement), and that much of the art of his turns is in how he is sliding his skis across the snow.
Telehiro and B-Tele.
The other discussions are here:
viewtopic.php?f=1&t=6241&sid=98e8a59e2a ... b30a062da9
And here:
https://www.telemarktalk.com/viewtopic. ... =20#p64180
There is also quite a lot of discussion here:
https://www.backcountrytalk.com/forum/b ... f-telehiro
I am intrigued by this discussion of different techniques but am struggling a bit to zero in on the essence of this B-Tele thing.
If this was presented in the format of a fully-developed, step by step process or plan, such as in a book or video tutorial, it would of course, be much easier to develop understanding.
As it is, it seems a bit like a bunch of us collectively trying to understand what the elephant looks like by reporting to each other what we can feel with our hands!
I really like this conceptualization of the levels of competence: .
Seems like we are somewhere in the middle two tiers (with the top tier generally considered to take 10,000 hours of devotion).
I am not a great skier, but my sense of turning skis is that, in maybe almost all cases, the skis float across the fall line (this would not be true for, say, step turns, snowplow, maybe some others).
If this is true, then maybe the differences in technique would be the dynamics of what happens before and after the fall line, and maybe where the skis are, relative to each other, approaching and crossing the fall line?
So far, my limited understanding of B-Tele is that:
- The last turn is just ending;
- The back ski is heavily weighted (stomping, shown in one of TH’s vids), and the front ski is lightly weighted;
- If there is braking involved, it happens here?;
- The back ski is made flatter to the snow and starts a rotation, and the front ski is lightly ruddered or arced across the snow;
- The skis approach the fall line and start to become equal (front to back);
- The legs are relaxed or retracted (stop resisting gravity / Down-unweighting / pulling legs up, quite upper body);
- Weight is placed on inside ski (new back ski);
- Outside ski is knifed or arced through the turn radius;
- Return to start of list and repeat.
I could have easily left things out of even stated something incorrectly and welcome comments.
One person made the comment that the axis of rotation in Telehiro’s turns is often inside his body (looking down from above). I would say that it is not usually possible to make carved turns when this is true (given that the designed turn radius of the skis is going to put the axis of the carved turn many meters to the inside of the turn, relative to the skier’s body).
This would mean that Telehiro’s B-Tele turns are skidded turns (observation, not judgement), and that much of the art of his turns is in how he is sliding his skis across the snow.